[PDF.09jd] Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
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Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
Caroline Joan S. Picart
[PDF.zn61] Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
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| #4112265 in Books | Caroline Joan S Picart | 2013-11-07 | 2013-11-07 | Original language:English | PDF # 1 | 10.69 x.53 x5.64l,.90 | File type: PDF | 243 pages | Critical Race Theory and Copyright in American Dance Whiteness as Status Property||0 of 0 people found the following review helpful.| Five Stars|By hoffbidding|As expected.|||"Picart is familiar with not only the most relevant secondary literature on dance, choreography, and related topics, but also the copyright laws regarding artistic commodities. Her focus on specific figures and the most salient details of the actual history o
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
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